paulboccaccio.com Report : Visit Site

Technical data of the paulboccaccio.com

Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host paulboccaccio.com. Currently, hosted in United States and its service provider is New Dream Network LLC .

HTTP Header Analysis

HTTP Header information is a part of HTTP protocol that a user's browser sends to called Apache containing the details of what the browser wants and will accept back from the web server.

DNS

HtmlToText

paul boccaccio writing, and books, and writing books. skip to content about me writing mirrors as augury sunday, may 6, 2018 a type of cipher seemed to operate in my general experience of life. as in a corridor of mirrors, a single image is reflected again and again to an endless depth. things that i had seen in the past were clearly reflected on those that i encountered for the first time, and i felt that i was being led by such resemblances into the inner recesses of the corridor, into some fathomless inner chamber. we do not collide with our destiny all of a sudden. the man who later in life is to be executed is constantly—every time that he sees a telegraph pole on his way to work, every time that he passes a railway crossing – drawing an image in his mind of the execution site, and is becoming familiar with that image. —yukio mishima, the temple of the golden pavilion filed in books | tagged fate , is it future or is it past | comments (0) finding what you came to find friday, may 4, 2018 gathering is peculiar, because you see nothing but what you’re looking for. if you’re picking raspberries, you see only what’s red, and if you’re looking for bones you see only the white. no matter where you go, the only thing you see is bones. sometimes they are as thin as needles, extremely fine and delicate, and have to be handled with great care. sometimes they are large, heavy thighbones, or a cage of ribs buried in the sand like the timbers of a shipwreck. bones come in a thousand shapes and every one of them has its own structure. —tove jansson, the summer book filed in books | tagged selection biases | comments (0) prolonging the present as praxis of prolepsis wednesday, august 23, 2017 “talking to you on the phone now is part of the story of my trip to belgrade, and so is the fight in the café. and when you tell yourself the story of your trip to hungary, sanja will be part of it.” “that’s true,” i said. “for a while now i’ve been conscious of a tension in my relationship with you,” svetlana said. “and i think that’s the reason. it’s because we both make up narratives about our own lives. i think that’s why we decided not to live together next year. although obviously it’s also why we’re so attracted to each other.” “everyone makes up narratives about their own lives.” “but not to the same extent. think about my roommates. fern, for example. i don’t mean that she doesn’t have an inner life, or that she doesn’t think about the past or make plans for the future. but she doesn’t compulsively rehash everything that happens to her in the form of a story. she’s in my story—i’m not in hers. that makes her and me unequal, but it also gives our relationship a kind of stability, and safeness. we each have our different roles. it’s like an unspoken contract. with you, there’s more instability and tension, because i know you’re making up a story, too, and in your story i’m just a character.” “i don’t know,” i said. “i still think everyone experiences their own life as a narrative. if you didn’t have some kind of ongoing story in mind, how would you know who you were when you woke up in the morning?” “that’s a weak definition of narrative. that’s saying that narrative is just memory plus causality. but, for us, the narrative has aesthetics, too.” “but i don’t think that’s because of our personalities,” i said. “isn’t it more about how much money our parents have? you and i can afford to pursue some narrative just because it’s interesting. you could go to belgrade to come to terms with your life before the war, and i could go to hungary to learn about ivan. but fern has to work over the summer.” “you’re working.” left alone, i washed up, changed into the dr. seuss shirt, got in bed, and started writing in my notebook. i kept thinking about the uneven quality of time—the way it was almost always so empty, and then with no warning came a few days that felt so dense and alive and real that it seemed indisputable that that was what life was, that its real nature had finally been revealed. but then time passed and unthinkably grew dead again, and it turned out that that fullness had been an aberration and might never come back. i wanted to write about it while i could still feel it and see it around me, while the teacups still seemed to be trembling. suddenly it occurred to me that maybe the point of writing wasn’t just to record something past but also to prolong the present, like in one thousand and one nights, to stretch out the time until the next thing happened and, just as i had that thought, i saw a dark shape behind the frosted glass and heard a knock on the door. —elif batuman, the idiot filed in books | tagged all times created equal , compression of time , friends | comments (0) the film is the talking tuesday, august 22, 2017 a film should stand on its own. it’s absurd if a filmmaker needs to say what a film means in words. the world in the film is a created one, and people sometimes love going into that world. for them that world is real. and if people find out certain things about how something was done, or how this means this or that means that, the next time they see the film, these things enter into the experience. and then the film becomes different. i think it’s so precious and important to maintain that world and not say certain things that could break the experience. in stories, in the worlds that we can go into, there’s suffering, confusion, darkness, tension, and anger. there are murders; there’s all kinds of stuff. but the filmmaker doesn’t have to be suffering to show suffering. you can show it, show the human condition, show conflicts and contrasts, but you don’t have to go through that yourself. you are the orchestrator of it, but you’re not in it. let your characters do the suffering. it’s common sense: the more the artist is suffering, the less creative he is going to be. it’s less likely that he is going to enjoy his work and less likely that he will be able to do really good work. —david lynch, catching the big fish: meditation, consciousness, and creativity filed in books , movies | tagged contextual interpretation , david lynch | comments (0) only the waters, everywhere sunday, august 20, 2017 “this is the uncertain plinth, the moving earth on which we live. upon this stand the houses, the temples. we have built upon the silt, the drifting sands. upon a sweeping, undulating, congealed sand-mirror. there in the depths, a different, mysterious river network flows. certain rivers and rivulets plunge beneath the surface, and they flow there beneath the houses, the granaries, the temples, the stone-paved roads. they surge along toward the cemetery, the carcass pit, toward the outer village under the hill. “a man does not even suspect that he is walking above congealed rivers with their slow sweeping movements. if these depths opened up, the houses, the wooden-spired belfries, the tiny temples that have stood here for almost a thousand years would all disappear. they were built from brick that was fired from clay, for in this land there was never stone. here there are only the waters, everywhere. loam and mud. upon the earth, in the air, and down below in the depths, as well. but thanks be to the almighty, blessed be his name, for he does not allow the waters below to break into our world.” here the rabbi paused in his remarks. the lights of the sabbath candles were ablaze. they quivered as the rabbi spoke, because in the meantime he sighed very deeply. whenever he took a breath, he struggled as if he were suffocating. —szilárd borbély, the dispossessed filed in books | tagged deprivation , dostoevsky , hungary , poverty | comments (0) diagnoses, morals, and antlers friday, august 18, 2017 i found a book of fables and read two fables about harts. they both ended badly. in “the hart in the ox-stall,” the hart hid from the hunter in an ox-stall. the hunter noticed its antlers sticking out of the straw and killed it, proving that “nothing escape

URL analysis for paulboccaccio.com

http://www.paulboccaccio.com/blog/category/twitter/
http://www.paulboccaccio.com/blog/tag/leave-the-door-open-and-turn-off-the-radio/
http://www.paulboccaccio.com/blog/writing/
http://www.paulboccaccio.com/blog/tag/criticism/
http://www.paulboccaccio.com/blog/tag/devil/
http://www.paulboccaccio.com/blog/tag/memory/
http://www.paulboccaccio.com/blog/page/2/
http://www.paulboccaccio.com/blog/tag/fate/
http://www.paulboccaccio.com/blog/tag/always-borges/
http://www.paulboccaccio.com/blog/category/music/proud-valletta-music/
http://www.paulboccaccio.com/blog/2017/08/14/craft-mechanics-of-prose/#respond
http://www.paulboccaccio.com/blog/tag/excellent-prose/
http://www.paulboccaccio.com/blog/tag/words/
http://www.paulboccaccio.com/blog/tag/deprivation/
http://www.paulboccaccio.com/blog/tag/philosophy/

Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: PAULBOCCACCIO.COM
Registry Domain ID: 953697067_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.dreamhost.com
Registrar URL: http://www.DreamHost.com
Updated Date: 2018-03-31T07:24:54Z
Creation Date: 2007-05-02T02:23:31Z
Registry Expiry Date: 2019-05-02T02:23:31Z
Registrar: DreamHost, LLC
Registrar IANA ID: 431
Registrar Abuse Contact Email:
Registrar Abuse Contact Phone:
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.DREAMHOST.COM
Name Server: NS2.DREAMHOST.COM
Name Server: NS3.DREAMHOST.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2018-10-09T00:56:35Z <<<

For more information on Whois status codes, please visit https://icann.org/epp

NOTICE: The expiration date displayed in this record is the date the
registrar's sponsorship of the domain name registration in the registry is
currently set to expire. This date does not necessarily reflect the expiration
date of the domain name registrant's agreement with the sponsoring
registrar. Users may consult the sponsoring registrar's Whois database to
view the registrar's reported date of expiration for this registration.

TERMS OF USE: You are not authorized to access or query our Whois
database through the use of electronic processes that are high-volume and
automated except as reasonably necessary to register domain names or
modify existing registrations; the Data in VeriSign Global Registry
Services' ("VeriSign") Whois database is provided by VeriSign for
information purposes only, and to assist persons in obtaining information
about or related to a domain name registration record. VeriSign does not
guarantee its accuracy. By submitting a Whois query, you agree to abide
by the following terms of use: You agree that you may use this Data only
for lawful purposes and that under no circumstances will you use this Data
to: (1) allow, enable, or otherwise support the transmission of mass
unsolicited, commercial advertising or solicitations via e-mail, telephone,
or facsimile; or (2) enable high volume, automated, electronic processes
that apply to VeriSign (or its computer systems). The compilation,
repackaging, dissemination or other use of this Data is expressly
prohibited without the prior written consent of VeriSign. You agree not to
use electronic processes that are automated and high-volume to access or
query the Whois database except as reasonably necessary to register
domain names or modify existing registrations. VeriSign reserves the right
to restrict your access to the Whois database in its sole discretion to ensure
operational stability. VeriSign may restrict or terminate your access to the
Whois database for failure to abide by these terms of use. VeriSign
reserves the right to modify these terms at any time.

The Registry database contains ONLY .COM, .NET, .EDU domains and
Registrars.

  REGISTRAR DreamHost, LLC

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =paulboccaccio.com

  PORT 43

  TYPE domain

DOMAIN

  NAME paulboccaccio.com

  CHANGED 2018-03-31

  CREATED 2007-05-02

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.DREAMHOST.COM 64.90.62.230

  NS2.DREAMHOST.COM 208.97.182.10

  NS3.DREAMHOST.COM 66.33.205.230

  REGISTERED yes

Mistakes

The following list shows you to spelling mistakes possible of the internet users for the website searched .